Notes on a Scandoval
video essay, reality, television Vivian Asimos video essay, reality, television Vivian Asimos

Notes on a Scandoval

In this essay, we're digging into the scandoval that shook the world of reality television. Of particular interest for us is the way the story of the scandal unfolded, and why it was so enticing and so juicy for the audience. We talk about the way the characters developed on our screens over the course of ten years, and how the complicated nature of reality television timeline means an intricate web of dramatic irony.

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The Reality TV Story
reality, television, storytelling Vivian Asimos reality, television, storytelling Vivian Asimos

The Reality TV Story

Today, I wanted to talk about one of the more interesting aspects of reality television: the story. I’ve talked before about the complicated nature of the “reality” part of reality television, and anyone that follows my work for even a short amount of time will know that I love a complicated view of reality. But stories are important – stories are important in scripted television and in reality television because stories are important to us as people. We tell stories every day when someone simply asks about how our day was. So of course reality television needs a good story.

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Reality TV and the Myth of the Anti-Hero
storytelling, television, reality Vivian Asimos storytelling, television, reality Vivian Asimos

Reality TV and the Myth of the Anti-Hero

Reality television shows us how fickle the concept of the hero is. Colloquial Western understandings of the hero has someone who upholds ideals and morality is something which is often just a matter of perspective. Reality television is a medium through which the very fine line between hero and anti-hero is properly explored. It is, of course, just a matter of editing.

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The Reality (?) of Reality Television
reality, television Vivian Asimos reality, television Vivian Asimos

The Reality (?) of Reality Television

The show which arguably established the contemporary reality genre, Keeping Up With the Kardashians, ended their latest season with a meta-conversation about the nature of their own show. The storyline centred on an argument between the sisters, and how Kloe and Kim felt Kourtney wasn’t doing her part of the sharing for the show. Some of this stress is emotional - an unbalance of personal life being open for the public to view - and some is practical. Kim points out how she and Kloe have to do more physical hours of filming to pick up the slack of a missing person.

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"Yeah, but does anyone actually believe this stuff?", or how people engage with serious play
religion, fandom, reality Vivian Asimos religion, fandom, reality Vivian Asimos

"Yeah, but does anyone actually believe this stuff?", or how people engage with serious play

When studying Slender Man specifically, the question comes up frequently. And while there are some people who claim “actual” belief in Slender Man’s existence, for example the two teenage girls who attacked their friend in Wisconsin, the rest of the community, and I dare to estimate this percentage at 99.9%, firmly know the Slender Man is, in fact, fictional. But does this take away the importance of these stories? Are the stories firmly believed as factually accurate the only ones academics should bother to study?

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